JI is like eggshell white at the paint store. Those numbers will end up close to Newman/Emmons/Hudson/Peterson. Then tune the pedals by ear, writing down THOSE variances. That's why I maintain that everyone should make their own chart (tune your Es to a tuner set to ET, then tune open by ear, writing down how far each note varies from 0. To some people, JI thirds sound flat, while to many, JI just sounds better. A chart must account for that, unless you start throwing compensators around.ģ) personal taste. The F# relative to B is NOT the same as the F# relative to A or D. Since pressing the A and B pedals will flatten the Es, especially the 8th, the chart must account for that.Ģ) How the player uses a string. Paul, three things influence tuning charts, all of them vary with the player and/or guitar.ġ) Cabinet drop. Mullen G2, Rittenberry S10, Infinity D10, Zumsteel 8+9Īnderson, Buscarino, Fender, Roman Guitars, Sarno Octal, Revelation Preamps, BJS BARS, Lots of Blackface Fenders! I know this probably is complicated sounding, but this has WORKED for me very well.It would probably be a good idea to sequence this, and construct a YouTubeĢ017 MSA LEGEND XL D10, S10, Studio Pro S12 EXE9 String 4 B+C Pedal, tune string 1 to this F#, and to string 7 (Cabinet drop comes into play here) I have abandoned the Es 2.5 above, for the 0E9 as well.and the C6 temper tuning on the flip?.forget it.Ī+B pedal, lower string 2 to C#, and tune to to this tempered C# on string 5 String 7 Whole to G# in tune with 3+6 open Peterson StroboPlus HDC - 2021 Model Desktop Strobe Tuner Guitar, Bass, Violin, Ukulele, Harp, Brass, Woodwind, Orchestral, Pedal and Steel Guitar Luthiers, Technicians, Builders, Manufacturers. String 9 now tuned to 5th A, String 6 with A+B engaged String 2 half-step pull to E in tune with 4 open, 2 open in tune with 4 lowered. Octaves for stings 3+6 (A+B, A NOTES) in tune with 5ths (Es) Major 3rds using A+B, string 5 and 10 lowered another 2 cents, and open G#s 3+6 lowered 2 cents 5th intervals can be found all over the guitar and this is where i was having issues.Here is what ive been doing recently to supplement the presets. I had issues with the M3rd intervals as well as the 5ths, and octaves, which in my mind need to be tempered differently from the presets. After 7 years of using one I find that its not quite as precise as I had hoped, when it comes to MY guitars anyway. When I first started using the Peterson I found it to be a very useful tool in getting my guitars as close as possible to being tempered properly.
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